For Star Wars Rebels, I would have Barriss show up in an Ahsoka centric storyline taking place during season 2 as an antagonist, given her actions in TCW season 5 finale.
For Castlevania (Netflix), I'd hire Australian author Jay Kristoff (The Nevernight Chronicles) to write a spinoff season/miniseries based on the 2008 Nintendo DS installment Order of Ecclesia. Seychelle Gabriel (best known as Asami Sato in The Legend of Korra) would be the voice of Shanoa.
For Miraculous Ladybug, I would redesign Heart Hunter and Miracle Queen's appearances (seriously, who came up with the idea of a floating two-head? Also Miracle Queen is Queen Wasp 2.0)
For Ben 10: Alien Force/Ultimate Alien, I would have a Plumbers spinoff with Greg Weisman serving as showrunner, utilising the original Hero Generation concept.
For The Avengers: Earth's Mightiest Heroes, I would do a fully absorbed finale for Wolverine and the X-Men, since both shows are confirmed to be set in the same continuity.
While I did enjoy Wizards: Tales of Arcadia, I feel like there could've been some filler episodes taking place in Arcadia, New Jersey and Akiridion 5, with the purpose of having a subplot focusing on the ones who didn't appear or appeared in the end of the series (i.e. Aja, Krel, Vex, Zadra, Eli, Nomura, Strickler etc).
For Codename: Kids Next Door, I feel like there should've been a origins episode of the main team (no, not the original incarnation as seen in the opening of Operation Z.E.R.O., I mean the current team).
With regards to Matt Braly, I prefer the weekly release. Binging is terrible for an entire season to be released in one run and back in 2015/2016, when it started becoming a thing, there were people concerned over that.
Sometimes, I really question on why these streamers seems to be so selective on which show should get the weekly release treatment or not. Giving every show the binge format is unsustainable. Sure, there are some exceptions, but not every show needs it.
"Mr. Jones" by Counting Crows was written about how lead vocalist Adam Duritz wanted fame in order to feel loved. He then got fame and had a breakdown soon after; he has since done an altered version live, where he warns about how getting famous was a mistake.
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